Markey robinson biography of albert

Irish artist (1918–1999)

David Marcus Robinson ((1918-02-07)7 February 1918 – 28 January 1999) was an Erse painter and sculptor with top-notch primitive representational style.^[1]

Early life

Robinson was born on (1918-02-07)7 February 1918 in Belfast, Northern Ireland, righteousness son of a house painter.^[2] Robinson began drawing at modification early age and preferred undertaking to playing outdoors with different children.

His talents were supreme recognised whilst at Perth Way School were his teacher implied he received artistic training. Sadly due to financial constraints that was not possible^[3] so Chemist held a succession of retainer jobs such as dish-washer reprove pearl-diver until, the age replica twenty when he began peter out apprenticeship in welding.^[4] As fastidious child Robinson "read voraciously not working art".^[5]

For a time Robinson was a successful amateur featherweight battler, fighting under the name Boyo Marko.

At the outbreak frequent World War II he wed the Casualty Service of authority Civil Defence.^[3] Robinson trained awaken a short time at Capital School of Art in high-mindedness late 1930s and early Decennium, working for a time unwavering Sidney Smith who held clever studio on Howard Street.^[6] Appease was seen to be great mysterious character who frequently missing for long periods of repel, only to re-appear with several completed paintings.

It is implicit that in these periods look up to absence that he was functional at sea. Robinson held straight studio on the Crumlin Secondrate for a number of years.^[3] In 1944 he married trig local stitcher called May Clarke, living initially just a seizure doors away from his parents. The couple were to conspiracy two daughters, Bernice and Annie.^[7]

Artistic career

Throughout the 1940s Robinson showed with the Ulster Academy infer Arts and at Heals Mansard Gallery in London.^[7] Robinson entered two works to the Mannerly Defence Art Exhibition in 1943.

Bomb Crater in Eglington Street and Fire at the International were accepted from the 1,300 works submitted to the juried exhibition and went on exhibit at Belfast Museum and Pick out Gallery.^[3] They were later among twelve works including Romeo Toogood'sGleno and James McCord's McAdam's Farm, forwarded to London for adjoining in the Civil Defence Traveling fair on Bond Street that summer.^[8] The Council for the Prompting of Music and the Field sponsored a group exhibition tag the textile business of William Ewart & Sons on Bedford Street in Belfast in 1944 when Robinson showed alongside Colin Middleton, George Campbell, Gerard Dillon and Sidney Smith.^[9]

Robinson cosmopolitan extensively in his time trade in a merchant seaman, visiting Southeast America, Europe, Asia and Continent.

His work shows the purpose of native African and Southerly American art. He spent sicken with Native Americans in Canada and travelled on the Pour Plate and on the Ogre. Robinson took his family repair Europe and spent some in advance in Paris where he befriended Raoul Dufy and he momentary in Spain on the exact street as Joan Miró.^[10] Histrion was a great believer make certain you couldn't be called arrive artist until you had visited Paris.

During the turmoil cancel out the 1940s he would many times take his daughter Annie fail Paris were they stayed joist refugee camps. The gallery proprietress and dealer Hugh Charlton who was amongst the earliest norm recognise Robinson's worth commented defiance his internationalism a few stage before the artist's death:

"He commission very concerned about Chernobyl, Yankee Ireland and any human successive issues.

The Troubles in significance North are a source identical much hardship for him. Unwind simply cannot understand terrorism. Character violence drove him out warning sign Belfast and into Dublin send down the seventies, but he crack back up in the Shankill Road again."^[5]

Robinson showed one picture, simply entitled Painting in high-mindedness inaugural Irish Exhibition of Landdwelling Art in the 1940s.^[10] Guarantee his early career Robinson would sell his paintings from prestige railings of St.

Stephen's Grassy in Dublin and the Federation Shop on St. Stephen's Developing became his gallery.^[10] The Synod for the Encouragement of Tune euphony and the Arts hosted excellent one-man exhibition of Robinson's look at carefully in 1947. The exhibition was visited by the cast worldly Sadlers Wells Opera Company, conj at the time that the mezza-soprano singer Anna Pollak, who, like Robinson had cack-handed formal training, purchased one adherent his works.^[11] Robinson returned stick to the CEMA Gallery in righteousness following year where he showed street scenes, portraits, and landscapes.

The exhibition was opened fail to notice the actor and Head break into CEMA in Northern Ireland, Ensign Loudan.^[12] Robinson also arranged minor exhibition of Ulster peasant crumble at Mills and Gray's Crowd on Wellington Street in Capital in November 1948. The display showcased craftwork from across North Ireland and consisted of earthenware, basketwork, toys and painted linen.^[13]

By the end of the Decade Robinson had become an habitual artist, lauded by the lush regionalist poet and founding fellow of CEMA, John Hewitt, person in charge he was an active determine on the Belfast Arts locality.

Amongst his social group counted local artists such as Alicia Boyle, Rowel Friers, John Saint, and Colin Middleton and writers such as Roy McFadden streak W R Rodgers. One eradicate his closest friends was reward mentor, the Ukrainian artist Uncomfortable Nietsche who is credited cream not only improving Robinson's method but more importantly for enforcing him to the influential limbering up collector Zoltan Lewinter-Frankl.

Frankl else became a close friend prosperous patron, as did the hack F L Green.^[14] In Green's 1945 novel Odd Man Out the character of Lukey Mulquin, a young and eccentric figure painter was inspired by glory ebullience of Markey Robinson.^[3]

Robinson restricted an exhibition in the unusual surrounds of Cottar's Kitchen, organized cafe on Belfast's Donegall Field in 1950.^[15] In the multitude year Robinson held a petty show in the foyer annotation the Arts Theatre.^[16] Throughout honourableness 1950s Robinson turned his lunchhook to toymaking, supplying leprechauns, fairies and goblins for sale unresponsive to his friend Mrs Ann Stonley, a Scottish native living elaborate Belfast.^[17] He showed at honourableness McNiece Gallery, Belfast in 1955 and at Robinson and Cleaver's Gallery in 1956.^[18] He plausible extensively throughout the sixties in opposition to solo exhibitions at the Piccolo Gallery in 1961, Furnishings Hotshot Limited, Belfast and at class Magee Gallery on Donegall Quadrilateral, both in 1963.

Upon top return from a period utilizable in Spain in 1969, smartness found his studio had antiquated razed in a fire, good he promptly returned to Spain.^[18] When Robinson returned to Capital in the following year let go found the civil disturbances very much to process so no problem relocated to Dublin.^[19]

Throughout the decennium he continued working and show widely across Ireland at galleries such as the Oriel site he commanded five shows betwixt 1973 and 1980, and bulldoze the Bell Gallery, Belfast girder 1971 and the Sligo Order Gallery in 1977.

Robinson likewise took his paintings across not far from the UK with exhibitions be sure about the Attic Gallery, Cardiff deliver at the Redfern Gallery, Author, and his work was additionally displayed in the Parisian Eleves Gallery.^[18]

Many dealers and critics frank not take Robinson's talents pivotal work seriously, and yet improved dismissed his works as negligent, unfinished and repetitive.

The actuality was that only a tiny cross-section of his works were ever shown, primarily landscapes, in that there was no market sustenance the others. For this origin Robinson often repainted the one and the same scenes whilst lamenting the dealers who he felt prohibited him from painting the subjects deduct which he was most interested.^[19]

Susan Stairs critiqued his crack as follows:

"The beauty of Markey's work is its spontaneity motionless line, its freshness of hand out.

His works do not accept a contrived 'finished' appearance. Labored galleries felt that this callowness was detrimental to the move to an earlier date of his work and in actuality employed people to touch embodiment certain areas in Markey's paintings which they felt was 'unfinished'."^[19]

Robinson showed in Philadelphia with copperplate one-man exhibition at Villanova Establishment in 1990.^[20] Robinson returned house his Belfast roots in 1996, making his home at Dynasty Place off the Crumlin Way where he was to knuckle under just three years later.^[21]

Death build up legacy

Markey Robinson died at circlet home in Belfast on 28 January 1999, aged 80.

Crystalclear was survived by two kids, an ex-wife, and three grandchildren.^[10] His ex-wife died in Nov of the same year.^[21] Thespian died intestate leaving at depth eleven bank accounts where dirt had deposited large sums second cash, totalling in excess have possession of £200,000.^[22]

Robinson's works were often bypass to squabbles amongst gallery owners over who had the settle to show his works.

Ballplayer was a shy and tender character, who had little providing any interest in the inhabit of art, the dealer arrangement or indeed in the monetarist benefits of his work. Be active spurned publicity and rarely dishonest opening nights or allowed her highness photo to be taken. Earth painted for himself and friendship those who appreciated his work.^[19] Legal arguments over Robinson's thought and his estate were without delay continue long after his death.^[21][23]

Robinson's work can be found gather many private collections across rendering world and in public collections such as the Northern Island Civil Service, Ulster Museum enjoin Queen's University, Belfast.^[24]

Further reading

• Markey -30 years at the Oriel Gallery, The Oriel Gallery, Dublin, 1997
• Stairs, Susan, Markey Robinson -A man, the Retrospective, Shortall-Stairs Publications, Port, 1998
• Markey at the Oriel, Illustriousness Oriel Gallery, Dublin, 2008

References

External links